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— References

Graphic culture

A work-in-progress atlas: the studios, publishers and figures that shape how we see. Every reference is triangulated — official site, visual survey, institutional curation — and filed under an aesthetic family.

Families 1 & 3 published. The others will open progressively.

Aesthetic families

01

Editorial neo-modernism

The legacy of Swiss modernism and the Dutch school, carried on by their contemporary descendants. Typography as the engine, the grid as the backbone.

02

Postmodernism & deconstruction

An expressive break with the grid. Carson, Brody, Greiman, Émigré, Cranbrook: legibility traded for emotion.

Coming soon
03

Cultivated maximalism

"More is more, and less is a bore." Unapologetic authorship and generosity that means something: ornament as carrier of meaning, lettering on equal footing with type. Sagmeister, Scher, Bantjes, Barnbrook, Boom, Glaser, Lubalin.

04

Contemporary radical

Acid, editorial brutalism, post-internet. Aesthetics born from the web and its margins.

Coming soon
05

Engaged, vernacular, political

Grapus, Pierre Bernard, Ne Pas Plier. A strong French-language tradition, design as a stance.

Coming soon
06

Non-Western perspectives

Sulki & Min (Korea), Daikoku (Japan), Brazilian studios. Decentring the canon, widening the panorama.

Coming soon
01

Editorial neo-modernism

The legacy of Swiss modernism and the Dutch school, carried on by their contemporary descendants. Typography as the engine, the grid as the backbone.

03

Cultivated maximalism

"More is more, and less is a bore." Unapologetic authorship and generosity that means something: ornament as carrier of meaning, lettering on equal footing with type. Sagmeister, Scher, Bantjes, Barnbrook, Boom, Glaser, Lubalin.

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